Effervescent, blond star of sophisticated Broadway comedy in the 1920s. Born Ina Fagan, of Irish descent, she lost her father in a car accident **** months before she was born. Without a breadwinner in the family, she was forced to live in a boarding house with her mother. From earliest childhood, she displayed a precocious talent for impersonating other people, which eventually led to her abandonment of school (Holy Cross Academy) at age 17 and her entry into the world of vaudeville. Performing under her mother's maiden name as an imitator of established stage performers made her a popular name in revues on both sides of the Atlantic. Ina's first extended run on the stage (**** than a year) was as Prudence in the 1911 musical "The Quaker Girl", where a very young F. Scott Fitzgerald became enamoured with her. In 1915, she appeared in the Ziegfeld Folies, and in the following year, had her first major hit as the titular ******* in the comedy "Polly With a Past" at the Belasco Theatre. Between 1919 and 1928, Ina Claire was almost continuously employed in one theatrical success after another in comedic plays penned by the likes of S.N. Behrman, W. Somerset Maugham, Anthony Trollope and T.S. Eliot. She had huge hits in the title role of "The Last of Mrs. Cheyney" (1925) and, as Lady Grayston, in "Our Betters" (1928). Her curtain call was as the star of "The Confidential Clerk" in 1954, at the Morosco Theatre. John Mason Brown, writing for the New York Post (December 13, 1932) called her "the ablest comedienne our theatre knows". Immensely popular with audiences and critics alike, she was noted for her deft delivery, her wit and charisma and for her elegant, stylish costumes and coiffure. She also had the ability to carefully select her roles to suit her special talent for sophisticated high comedy Regardless, Ina Claire has long since been ind